Saturday 12th November at the Sallis Benney Theatre from 1pm - 4pm

Sally Golding (AU)
Golding is a film performance artist, curator and audiovisual archivist - her work blurring the boundaries of moving image, live art and visual hallucination. Using 16mm technologies and photographic darkroom processes she deconstructs cinematic materials and apparatus, slipping between materialist investigation, sculptural forms and bodily intervention. Cracked cinema for darkroom compositions, light bleed, contorted projection sports, dismembered narrative, whimsical instructional and wanton optics. Golding will perform Psycho Subtropo.

Blue Yodel (UK)
A rare audio/visual performance from Blue Yodel - the solo output of Fiona Kennedy - member of Sheffield’s esoteric junk freeformers Hunter Gracchus and co-founder of the Singing Knives label. Extreme body soundings and vocal micro particles that conflate electric and organic sources - unpredictable and convulsive - creating disturbed psychic territories.

Jeff Keen / Deep Kiss 720 / Stella Keen (UK)
Recycled sonic collages drawn from tapes sped up and cut down, TV samples, screams, deconstructed riffs - long time Jeff Keen collaborator Jason Williams / Deepkiss 720 provides the perfect accompaniment to the veteran experimental filmmaker’s frenetic split-screen pulp animations. All now with extra sax from Keen’s daughter Stella.
kinoblatz!

Light Support Systems
Ian Helliwell UK 2010 6 min
Helliwell is an artist-filmmaker-musician based in Brighton. Having begun intuitively at the start of the 1990s, he has experimented with a range of techniques for creating images directly onto super 8 film. His work is distinctive, if not unique in that he also designs and builds his own electronic instruments – Hellitrons and Hellisizers – which he uses to make all the soundtracks of his films. Light Support Systems is an expanded multi-screen film for up to 5 projectors with a combination of super 8, slides and video. All the images which were shot with super 8, are derived from lighting equipment designed for discotheques, and form a constantly shifting array of colours. The slides contain film strips which are given an element of movement with colour wheels – the whole multi-projector environment being a combination of light, motion, colour, with electronic sound.Helliwell's documentary 'Practical Electronica' is touring now.
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Lapis (John Whitney USA 1966) / Live Soundtrack
A rare 16mm screening of John Whitney’s intricate kaleidoscope of color and rhythm with feedback manipulation, frequency, space sound reflection and volume from Brighton’s Iron Giant.

Trypps#6 (Malobi)
(Ben Russell USA 2009 12 mins)
The wildest Trypp yet. It’s Halloween at the equator - an incredible 16mm ten minute take follows unearthly and wizened figures as they enter a village ritual. Ethnographic confusion ensues for the lucky viewer…

Turd Class: Hugh Metcalfe Live at VNM
Mark Willetts UK 2011 12 mins
Shot in Graz Australia over the VNM festival weekend – a mix of performance, super 8mm shot round town and poems from hotel beds.

The Story of Thomas Edison (Aaron Zeghers Can 5 mins)
Aaron Zeghers is a filmmaker and musician from Winnipeg, Manitoba, Canada. He resurrects and experiments with largely-abandoned filmmaking methods such as optical printing and usually adopts a very hands-on attitude to filmmaking. Aaron experiments technically with Super 8 and 16mm, pushing the boundaries of film image by adopting both filmic and digital techniques. But with his films he also tells very personal and impacting stories, in large part through his soundtracks. In creating the soundtrack for his films he uses original and found sound clips and music to create a Lipsett-like montage of sound bites. In The Story of Thomas Edison he explores his personal relationship with the famous inverter at the same time as he creates a libellous biography of him.

Bodily Heavens (Stephanie Wuertz USA 4.55 min)
Stephanie Wuertz is an audiovisual artist based in New York working in a wide range of media both appropriated and original. She is interested in the intersections between art, technology, and science. Bodily Heavens, is the first in a series of works created under a microscope, using a single slide of microscopic imagery re-photographed at varying positions and levels of magnification that immerse the viewer in a world that seems both macro- and microcosmic, human and anti-human. The soundtrack is a collage of low frequency radio signals, scratching records and the ambient sounds found in caves, public pools and amusement parks manipulated using an audio cassette recorder.

./still (Machi Miyahara JP 2011 4.11 min)
Machi Miyahara, a visual artist / contemporary dancer based on Tokyo has pursued the original way to use words, images, and physical languages to visualize textures of specific memories of life since 2006. She creates images from inspiration of sounds and rhythm as if she weaves a colorful thread. "./ still" is her graduation work of Image Forum which was one of the oldest experimental movies school in Tokyo and it shows how she feels and thinks of the end of life.

Koh (AR Levine USA / Thailand 2010 1.5 min)
Shot at dawn in the Gulf of Thailand and later processed by hand, Koh's degraded and sublime images of fishermen bringing in the morning's catch are elevated to the surreal by a soundscape of restless cicadas.

Spectacle (Gravity Bliss UK 2011 1 min)
It is what it isn't and still the mind flows. With soundtrack from Vortex Collisions

Instant Arc Archaeo + An Accidental Exhumation (Edmund Cook 2011 6 min)
The object is rotating outside the eyes while parasitic fish rumble.
It then proceeds to shape shift through jump cut industrialised cinema and audible annotations.

Dungeons and Dregs (Invernomuto Italy 2010 5 min)
Dungeons and Dregs tells the bizarre story of a urban gang. The video run through the locations they inhabit and the gestures and poses they use to communicate with outer space galaxies. The gang - named Black Cobras - venerates the great Bob, a sort of spiritual leader. Dungeons and Dregs is part of a bigger project presented in 2010 at the Grimmuseum, Berlin, after a two weeks residency with the curators/musicians Francesco Cavaliere e Marcel Türkowsky.
79/1 (Michael Oyekami 4 mins UK 4 mins)
Autocue (Patrick Goddard UK 2011 3 min)

Sunday 13th November at the Sallis Benney Theatre from 1pm - 4pm

Dirk de Bruyn (AU)
Over the last 30 years Melbourne-based film-maker, writer and academic Dirk de Bruyn has made numerous experimental, documentary and animation films and videos, continuing to maintain a no-budget, independent, self-funded focus for much of his work. De Bruyns distinctive style entails cut-up collages that draw on animation, found footage and fragments of dialogue - dyeing, painting, incising and stencilling the film strip. Live De Bruyn’s anarchic multi projection performances can involve performance, freeform vocal workouts and De Bruyn, ‘bent over and mouthing into a microphone like a demented seagull, totally involved in the relentlessly unravelling collage of home-processed footage’.Penny Webb. Ian Helliwell will provide a live electronic soundtrack. More

Cat Hawed / Live Soundtrack (UK)
Featuting members of Helhesten and Towering Breaker
‘Humming under the breath when children are sleeping, rattling into the frame when the skin is torn, cork metal and plastic drawn through a pipe and felt in the skull, about an object scraped across the floor in an empty room. Hannah Ellul, John Marshall, Ben Morris & Ben Knight are Cat Hawed.’

Bad Orb (UK)
The solo project of Sarah Albury (of Polly Shang Kuan Band, Jettatura and Leopard Leg). Bad Orb presents a multilayered audio/visual montage blurring the lines of fact, fiction, the real, the imagined.

Argentine Experimental Film Showcase 1 +++ Now Playing at the OLD MARKET
introduced by Anla Courtis with films by
Claudio Caldini, Sergio Subero & Sergio Brauer, Guillermo Ueno, Gustavo Schiaffino., Guillermo Ueno

Famila Borealis
(Martin Klapper CZ 2007 25 min)
Live Soundtrack by Klapper we hope??
The result of more than 20 years of collecting amateur family films from countries of the North of Europe. The original films in Super, Standard and Single 8 formats were exposed to numerous chemical/manual manipulations/techniques, many of which remain the secret inventions of the author...

Domestic Rhythms (Jeremy Newman USA 2009 6 min)
Domestic Rhythms” is a dark reworking of the Rapunzel fairy tale. Jeremy Newman builds his soundtrack on found electronic noise from recycled videotape. Newman has directed numerous experimental and documentary videos. He is Assistant Professor of Communications at The Richard Stockton College of New Jersey.

Sun Moon Stars Rain (Leslie Sunet Can 2009 3.20 min)
A psychedelic visual elegy, lamenting the death of Mother Nature's children. Animated for the WNDX One Take Super 8 Event.

B.O.B Chapter 1/2/3 (Invernomuto Italy 2010 2.32 min)
"What do you see? Bob. What do you know? Bob". Invernomuto presented the exhibition B.O.B. in 2010 at Galleria Patricia Armocida, Milan. The show was communicated with three video trailers diffused on line a month before the opening. The trailers contains some of the keys to navigate throughout the artworks installed, but they were not projected in the space. Footage comes from the entire tv serie "The Dukes of Hazzard", edited in a different way to tell a story of one character called Bob. Voice over by John Duncan.

Walking From Sala to Tims (Clint Enns Can 2010 5 min)
'Walking from Sals to Tims is such a sizeable challenge that anyone who undertakes it must have a very good reason. I was motivated mostly by a longing for decent coffee. I wanted to become healthy after eating an unhealthy but fabulous tasting meal. I succeeded in walking over 100 blocks to Tims, taking the back roads, all on foot, with no Segways or bicycles used. Hourly, i put stretches of pot-holes behind me. I saw many beautiful landscapes, met friendly people, socialist workers, and here and there the occasional milksop whiner. I got along well with all of them, and had good conversations. I must say that people in this city are generally pretty strange.' Enns
"My favourite Canadian film of all time!" - Guy Maddin

I’ll Raise You Like A Mother (Violaine Bergoin UK 8min)
'This piece is a reconstitution of a precise moment of my life, as a 8 year old, during an everyday family dinner and the broadcasting of the Ceausescu couple being trialled and executed. When Elena Ceausescu cried for her life, screaming to the guards taking her "I'll raise you all like a mother", which was then dubbed in French, my heart stopped and these words have been haunting me ever since and has been bringing impressions of déjà- vu until now. Today it has become a banality to watch upheavals, wars, famines, executions, genocides at 8 o'clock news within a familial structure. Yet the conflicts in this world may reflect our disabilities to communicate which results in decaying relationships. Maybe wars start within families first and expand to massive proportions.' Bergoin

New Ratio (Simon Payne UK 1.45 min)
New Ratio comprises two simple repeating sequences - rectangles of colour that come with associated tones - at different ratios. Phasing throws them out of synch affecting different mixtures of colour, alternating tone combinations, plus pulsations at the edge of the frame and soundtrack.

724 14th St (Ching Yi Tseng TW 10 min) "ching yi tseng is born in the 20th century. Currently eat and doing nothing in Taipei, Taiwan. 724 14th St is a film explore a specific location and a specific kind of light and life."

I See a Light (Aaron Zeghers Can 6.15 min)

Breath Dance (Stuart Pound UK 2010 4.10 min)
Breathing out and in, walking forwards then backwards takes on a dance-like aspect beside a temporary maze placed in Trafalgar Square, London. Pigeons, dandelion seeds and fountain also have a part to play.

Above the Skyline (Tessa Garland UK 2011 5.50 min)

Treated film images - Dirk de Bryun